When a new play is premiered, the focus of the criticism is on the text. Is it original? Is it relevant? Is it spelt out in a way that makes sense? The team’s technical abilities are secondary to the idea being presented. Once the play has been alive for a while or becomes famous, subsequent productions struggle with the fact that the focus is now on the production and how it compares to the debut. Have they said redundant things, or did they discover anything new? Did they do the text justice? Have they succeeded it making it relevant to its new time and place? Instincts and bravery Rumah Anak Teater’s daring approach Rumah Anak Teater’s M.Butterfly falls somewhere in between being a new…

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